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bluetyger magazine Issue 3 August 15 2001 |
![]() ![]() Photo by W.J. Gibson |
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bluetyger main... bluetyger editorial... WaterFest 2001 Art Exhibit After Action Report... Gibson WaterFest Portofolio... Battle of Georgian Bay... Anne Langford - Poetry... Jacques-Henri Lartigue - Photographer Poems Erratic by William J. Gibson... 2x golden 3... Summer reading... 4 old cameras 3 old photos... Editor: William J. Gibson email to the editor Made in Canada Recommended Sites Elsewhere: www.reviewfinder.com MAV Magazine (Sony Mavica Digital Photography) |
Summer Reading into August: Gordon Parks, David Brinkley, and Bill Mauldin
by William J. Gibson
It is curious that I turned by chance to two books that intersected in their description of racial discrimination in Washington D.C. during World War II, when that city was the "capitol of freedom". I am referring to David Brinkley's book on wartime Washington and to Gordon Parks memoir. The third book in this issue's "book bag", Cartoonist Bill Mauldin's memoir of his life up to the end of WW II is a great treat.
Harper & Row, NY, 1965.
A 1965 memoir by Gordon Parks, poet, photographer, photojournalist, fashion photographer, film director, composer. Parks, also a novelist (The Learning Tree), writes with great clarity and emotion about his own struggles as well as those of the people he meets during the depression, his experience with discrimination, and with the many people, black and white, who helped him as he tried to find the way to express his art and to work to support himself and his family. Alfred A. Knopf, NY, 1988. ISBN 0-394-51025-9 This 1988 book by the televison news commentator is a delightful read full of information about the sleepy southern town that was totally transformed by the explosive expansion of government brought on by the Second World War. Many of the inhabitants wished that Mr. Roosevelt and his New Dealers would go away so that life might return to that of the McKinley Administration. Refugees and others who came to visit Washington were shocked by the segregation of the city. Capitol Transit, a privately owned bus company, had a chronic labour shortage, just could not keep enough drivers to drive buses. When they tried hiring one black driver, all the white drivers quit. So the company fired the black driver. The company had to close service on some routes throughout the war. This in a city full to overflowing with government workers, trying to get from overcrowded housing to work. The company sold 13 years later, did not attempt again to hire a black bus driver.
C-SPAN Booknotes Transcript of interview with David Brinkley about his memoir. W.W. Norton & Company, Inc. NY, 1971. SBN 393-07463-3
If you don't know and therefore don't love Bill Mauldin's "Willie and Joe" cartoons, I feel sad for you.
Willie and Joe are two dogfaces, two infantrymen and they understand the Army, what it is and what it really is. There comic griping is grounded not only in a foxhole but in their knowing acceptance and their studied ignorance of Army bureaucratic mindset. They are as "real" as real can get.
Mauldin won the Pullitzer Prize for cartooning in 1945 at the age of 23. He had enlisted in the army 15 months before Pearl Harbour. Serving with the 45th Infantry Division, he landed in Sicily and Italy. His cartoons appeared in the 45th Infantry News and appeared in the main Army newspaper, Stars and Stripes, as well as being reprinted in stateside newspapers.
Beginning with his life in Arizona, Mauldin's memoir is an entertaining story showing his struggle to get art training and to make some kind of living as an artist. Often as a sign painter. His comic commentary about his army career is great fun. There are also some scenes that are less comic but no less moving about dealing with death and with the struggles of civilians. Then the humour returns with MPs, rear echelon mentality and
the ultimate interview Mauldin survived with General George Patton regarding Sergeant Mauldin's depiction of American soldiers as slovenly, griping malcontents.
Fortunately, many other officers realized the value to morale of Mauldin's cartoons. That GIs felt better that someone else felt the same way they did about their difficulties and the chickenshit of the Army, namely that one had to shrug and carry on and fight and endure and protect one's buddies, if the war was to be won and everyone could get to go home.
45th Division Museum page showing Willie and Joe cartoons by Bill Mauldin Contents Copyright (C) 2001 William J. Gibson. Articles and photos are Copyright (C) 2001 by their respective authors. No part of this publication may be reproduced or stored in any form without prior written consent from the author(s). Send inquiries or comments to email to the editor of bluetyger magazine |