bluetyger magazine

Issue 3
August
15
2001




Photo by W.J. Gibson
bluetyger main...
bluetyger editorial...
WaterFest 2001 Art Exhibit After Action Report...
Gibson WaterFest Portofolio...
Battle of Georgian Bay...
Anne Langford - Poetry...
Jacques-Henri Lartigue - Photographer
Poems Erratic by William J. Gibson...
2x golden 3...
Summer reading...
4 old cameras 3 old photos...

Editor: William J. Gibson
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Summer Reading into August: Gordon Parks, David Brinkley, and Bill Mauldin

by William J. Gibson


It is curious that I turned by chance to two books that intersected in their description of racial discrimination in Washington D.C. during World War II, when that city was the "capitol of freedom". I am referring to David Brinkley's book on wartime Washington and to Gordon Parks memoir.

The third book in this issue's "book bag", Cartoonist Bill Mauldin's memoir of his life up to the end of WW II is a great treat.

A Choice of Weapons by Gordon Parks

Harper & Row, NY, 1965.

A 1965 memoir by Gordon Parks, poet, photographer, photojournalist, fashion photographer, film director, composer.

From his birth in 1912 and his experiences in a wide range of jobs: waiter, railroad porter, basketball player, with the CCC (Civilian Conservation Corps), breaking into photography, and his work with the FSA (Farm Security Administration) and the OWI (Office of War Information). Other FSA photographers were: Dorothea Lange, Russell Lee, Jack Delano, Carl Mydans, John Vachon, Arthur Rothstein, Ben Shahn, Walker Evans, and John Collier, among others.

Parks, also a novelist (The Learning Tree), writes with great clarity and emotion about his own struggles as well as those of the people he meets during the depression, his experience with discrimination, and with the many people, black and white, who helped him as he tried to find the way to express his art and to work to support himself and his family.

The story ends with Parks, a black photo-correspondent with the OWI, denied transportation to go overseas with the 332nd fighter group, made up of black fighter pilots, he had covered during their training. Someone in the Pentagon wanted to make sure that the group received no more publicity.

(A copy of Parks' book is part of the collection of the Midland Public Library)

Kodak web page on Gordon Parks - photographer

Washington Goes to War by David Brinkley

Alfred A. Knopf, NY, 1988. ISBN 0-394-51025-9

This 1988 book by the televison news commentator is a delightful read full of information about the sleepy southern town that was totally transformed by the explosive expansion of government brought on by the Second World War. Many of the inhabitants wished that Mr. Roosevelt and his New Dealers would go away so that life might return to that of the McKinley Administration. Refugees and others who came to visit Washington were shocked by the segregation of the city. Capitol Transit, a privately owned bus company, had a chronic labour shortage, just could not keep enough drivers to drive buses. When they tried hiring one black driver, all the white drivers quit. So the company fired the black driver. The company had to close service on some routes throughout the war. This in a city full to overflowing with government workers, trying to get from overcrowded housing to work. The company sold 13 years later, did not attempt again to hire a black bus driver.

Brinkley includes stories about the planning and construction of the Pentagon, the world's largest building at the time. He also describes Roosevelt's thoughts on what to do with all that office space that the military would not need after the war's end.

C-SPAN Booknotes Transcript of interview with David Brinkley about his memoir.

The Brass Ring: A Sort of Memoir by Bill Mauldin

W.W. Norton & Company, Inc. NY, 1971. SBN 393-07463-3

If you don't know and therefore don't love Bill Mauldin's "Willie and Joe" cartoons, I feel sad for you.

Willie and Joe are two dogfaces, two infantrymen and they understand the Army, what it is and what it really is. There comic griping is grounded not only in a foxhole but in their knowing acceptance and their studied ignorance of Army bureaucratic mindset. They are as "real" as real can get.

Mauldin won the Pullitzer Prize for cartooning in 1945 at the age of 23. He had enlisted in the army 15 months before Pearl Harbour. Serving with the 45th Infantry Division, he landed in Sicily and Italy. His cartoons appeared in the 45th Infantry News and appeared in the main Army newspaper, Stars and Stripes, as well as being reprinted in stateside newspapers.

Beginning with his life in Arizona, Mauldin's memoir is an entertaining story showing his struggle to get art training and to make some kind of living as an artist. Often as a sign painter. His comic commentary about his army career is great fun. There are also some scenes that are less comic but no less moving about dealing with death and with the struggles of civilians. Then the humour returns with MPs, rear echelon mentality and the ultimate interview Mauldin survived with General George Patton regarding Sergeant Mauldin's depiction of American soldiers as slovenly, griping malcontents.

Fortunately, many other officers realized the value to morale of Mauldin's cartoons. That GIs felt better that someone else felt the same way they did about their difficulties and the chickenshit of the Army, namely that one had to shrug and carry on and fight and endure and protect one's buddies, if the war was to be won and everyone could get to go home.

(This book may be out of print but a copy is part of the collection of the Midland Public Library) Also, a collection of his cartoons was republished in 1998.

45th Division Museum page showing Willie and Joe cartoons by Bill Mauldin

Photo of Mauldin and Audie Murphy in the 1950 film, "The Red Badge of Courage" based on the Stephen Crane Novel and directed by John Huston





Contents Copyright (C) 2001 William J. Gibson.
Articles and photos are Copyright (C) 2001 by their respective authors.
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